Monday, 9 December 2013
Evaluation- 'How did you attract/address your audience?'
For this question I interviewed members of my target audience who had watched my film and asked them how they were attracted to my product they said;
"I liked the theme of a broken family that was shown as I was able to relate to it because I am a mother myself"- Caroline Malkin (40)
"I liked the blood, gore and the creepy character of Poppy as I find these genre conventions very entertaining and gripping."- Hannah Hollins (16)
"I liked the dominant female characters as it helped me to relate more to this film than I do normally to Thrillers as they normally have a cast dominated by men."- Veronica Johnston Jones (36)
"I liked the fact that this film was a psychological Thriller as I much prefer this sub-genre to others (i.e Action or Crime)- Emily Jeffery (21)
"I liked the theme of a broken family that was shown as I was able to relate to it because I am a mother myself"- Caroline Malkin (40)
"I liked the blood, gore and the creepy character of Poppy as I find these genre conventions very entertaining and gripping."- Hannah Hollins (16)
"I liked the dominant female characters as it helped me to relate more to this film than I do normally to Thrillers as they normally have a cast dominated by men."- Veronica Johnston Jones (36)
"I liked the fact that this film was a psychological Thriller as I much prefer this sub-genre to others (i.e Action or Crime)- Emily Jeffery (21)
Evaluation- what kind of Media institution might distribute your product and why?
Here are the 'Go Animate' animations that explain the roles of institutions, distributors, the pros and cons of different promotion techniques and which one would be best for our product;
Evaluation question 3 (part 1) by Lucy Malkin on GoAnimate
Evaluation Question 3 (Part 2) by Lucy Malkin on GoAnimate
Evaluation Question 3 (Part 3) by Lucy Malkin on GoAnimate
Evaluation question 3 (part 1) by Lucy Malkin on GoAnimate
Evaluation Question 3 (Part 2) by Lucy Malkin on GoAnimate
Evaluation Question 3 (Part 3) by Lucy Malkin on GoAnimate
Evaluation- 'How does your Media product represent particular social groups?'
Here is the directors commentary which is my response to this question;
Monday, 2 December 2013
Wednesday, 27 November 2013
Audience Feedback- Peer Assesement
Here is the 'Go Animate' animation that highlights the feedback given to us from other year 12 AS Media students that have recently viewed our product;
Audience Feedback from peers by Lucy Malkin on GoAnimate
Thursday, 21 November 2013
Editing Review- Audio
Through-out the editing process, we have made a variety of changes and additions to our sound. these include;
Slowing down sound- we slowed down the voiceover of the mother speaking so it would fit correctly within the footage and also for dramatic effect. We thought that it would build up tension and create a sombre atmosphere if she were to speak slower.
Reversing sound- in the second half of our Ident we decided to play the non-diegetic sound of a Chinese Cymbal in reverse. We have done this in order to create a sense of disorientation that was established through the 360 degree spin of the top of a tree. We picked the sound of a Cymbal because it helps attract the audiences attention while still sounding subtle.
Transitions- we decided to put transitions into every piece of sound we used (with particularly evident ones in the 'Promises to Keep' soundtrack. We did this because we wanted the sound to progress before reaching its loudest volume, this effect was achieved through adding transitions
Splitting sound- in our second minute of footage we decided to include the 'Steel and Seething' soundtrack and then split it into two halves. We did this because we wanted the climax of the soundtrack to fall into a particular piece of footage in order to correctly build up tension and drama.
Audience Feedback- Year 13's
Today, we recieved audience feedback from some year 13 A2 Media students. This was helpful as it allowed a fresh pair of eyes to evaluate our product, meaning that they could spot improvments and problems that we hadn't noticed. Here are some notes on what they said;
Improvments
- "Make sure it doesn't turn into a horror, as the little girl looks like a conventional character you'd see in a horror film". When we asked how we could resolve this problem, she suggested that we choose a soundtrack that is more conventional of the Thriller genre
- "In the scene of the daughter in the garden, include a child-like soundtrack to create a chilling atmosphere"
- "How will you be ending your product? I think you should link back to the mother/daughter relationship."
Good points
- "I like the shot of the worms in her hand, it really does look creepy. Which means the technique was effective"
- "The use of opacity in the teddy bear shot its good, it confuses the audience"
- "Using a voiceover in the mothers scene is a good idea, it will allow the audience to understand the plot better. And it's a convention of genre."
Wednesday, 13 November 2013
Editing Review- Video
During the editing our final product, we have made a variety of creative decisions concerning;
- Lighting- we have changed the saturation and exposure levels in our ident sequence and throughout our first minute of footage. This has allowed the audience to be able to see the action clearer. Also, in perticular scenes,we have dimmed the exposure in order to create specific connotations. For example, we darkened the exposure in the ident sequence in order to connote mystery, the unknown and a general atmosphere of darkness
- Speed- we have also altered the pace at which certain shots play for. We have slowed some down to emphasise an important object or person. In contrast, we have sped them up in order to cause confusion and disorientation.
- Opacity- we have changed the opacity of several shots in our product. We have done this in order to confuse and disorientate our audience.
- Transitions- we have used a variety of different transitions through-out or product, but I feel that the most effective of thses was the cross dissolve we added between a master shot of the girl walking and a zoom of the stream. We have done this to maintain the pace and continuity, which is difficult as all our shots are fairly short.
- Effects & Filters- we have heavily edited the second minute of footage in our product. For example, we have added flashes and changed the filter to 'Numerik'. We have done this in order to represent the darkness of the life the daughter is now living and to emphasise the alert nature of her personality
Here is a screenshot from our footage on Final Cut Pro that demonstates the effects of our creative choices;
Change in Opacity
Change in speed
Change in lighting
Change in transition
Title sequence
Change in scale
The filming process in photos
Through-out the October half term, we were given the task of filming the footage that we would want to use in our final product. Here are some photos to give a better insight into our filming process;
While filming our first scene of the mother in her bedroom

My peer Molly Painter analysing our ident footage

Me fixing the tripod in place to ensure the camera was positioned correctly

Our Ident logo 'H.W Productions'

While filming our first scene of the mother in her bedroom
My peer Molly Painter analysing our ident footage
Me fixing the tripod in place to ensure the camera was positioned correctly
Our Ident logo 'H.W Productions'
Ident Research
The Disney Ident
- This Ident conveys a dream-like and whimsical atmosphere via the palace
- The silver writing suggests treasure and something precious and valuable
- This image is also made to look picturesque via the pink starry sky
- This ident links to its genre (Childrens fantasy) because it largely links to a fairytale already because of the big palace. So, without watching the film at all, the consumer already has an idea of its story.
The Warner Brothers Ident
- The dark colour scheme foreshadows death, mystery and an element of the unknown. It also suggests that the plot might be quite dark.
- The grey clouds suggests that something is being concealed or hidden, which are ideas and themes that are normally apparent in Thrillers
- The stone-like logo connotes cold-ness and something quite hard and un-comprimising
- This logo links to its Thriller genre as it conveys themes and messages that are commonly found within films of this genre; mystery, death, the unknown etc...
Wednesday, 23 October 2013
Risk Assesement
|
Area of film or Description of scene/shot number
|
Hazard
|
Control measure already in place
|
A
|
B
|
C
|
Further Action Required
|
Person Responsible
|
|
Valley Drive woods
Bedroom
Garden
Rudyard track/ River Churnet
|
Tripping over branch
Tripping over cable wires
Getting mud in open cuts
Falling in river as a result of steep
ground
|
Being aware of unstable ground
Watching where you step
Checking for cuts before proceeding to
muddy areas
Staying clear of steep or unsteady
ground
|
1
1
1
1
|
4
2
2
2
|
2-4
2-4
2-4
2-4
|
Remove the hazard from the filming area
Remove all loose wires or household
items from floor
Wash the cut in order to remove mud
Check for injuries in the person who
has fallen
|
Everybody on set
Lucy Malkin, Meg Dawson
Chelsea Fearn, Lucy Malkin
Everybody on set
|
Tuesday, 22 October 2013
Final Shooting Script
|
No#
|
Shot
|
Sound
|
Duration
|
|
1
|
Pan of woods- zoom to tree
Location- Valley Drive
woods
|
Ident soundtrack
|
4 seconds
|
|
2
|
Close up shot of ident ‘HW’,
transition of ‘productions’ moving over the screen
|
Ident soundtrack continues
|
3 seconds
|
|
3
|
Situational titles- names slide on screen: ‘Molly Painter’, ‘Lucy
Malkin’ and ‘Chelsea Fearn’
|
Opening Soundtrack
|
4 seconds
|
|
4
|
Situational titles on date- 12.09.2012. Become abstract titles
over bedroom setting
|
Opening soundtrack fails as
titles become abstract
|
3 seconds
|
|
5
|
Location- woman’s bedroom: daytime
Titles fade to wide shot of
mother at dressing table
|
Soundtrack completely fades
out
|
6 seconds
|
|
6
|
Close up of mother putting
on lipstick (shot with reflection from mirror)
|
Diegetic background sound
|
3 seconds
|
|
7
|
Over the shoulder shot of
mother looking at pendant necklace
|
Voiceover of mother talking
|
3 seconds
|
|
8
|
Mid shot of mother looking
directly at her reflection, picks up photograph
|
Voiceover continues
|
2 seconds
|
|
9
|
Master shot of mother
moving towards window
|
Voiceover continues
|
3 seconds
|
|
10
|
Mid shot of mothers face from
the side (looking out at photograph by window)
|
Ambient background sound
|
2 seconds
|
|
11
|
POV Shot of mother looking
at photograph
|
Silence
|
2 seconds
|
|
12
|
Over the shoulder shot of
mother looking out the window (focus pull from the mother to the window)
|
Silence continues
|
3 seconds
|
|
13
|
Establishing shot/high
angle looking down at daughter in the garden
|
Ambient sound- wind blowing
trees
|
2 seconds
|
|
14
|
Location- garden
Master shot of garden,
shows the girl playing in the soil (blanket and snacks included in the frame)
|
Ambient sound- wind blowing
trees
|
3 seconds
|
|
15
|
Canted angle of daughter
foraging in the dirt
|
Diegetic sound- digging
|
2 seconds
|
|
16
|
Extreme close up of
daughter with muddy hands holding worms
|
Ambient sound- wind blowing
trees
|
3 seconds
|
|
17
|
Low angle looking up at
window, mother’s not there
|
Ambient sound- wind blowing
trees
|
2 seconds
|
|
18
|
Long take of girl grabbing
string and heading towards bush
|
Diegetic sound- leaves
rustling
|
5 seconds
|
|
19
|
Wide shot of teddy being
dragged through bush
|
Diegetic sound- leaves
rustling
|
2 seconds
|
|
20
|
Title sequence: Situational titles- name of extract ‘Attachment’
|
Opening soundtrack
|
2 seconds
|
|
21
|
Situational titles- New
date: 11.11.2013
|
Opening soundtrack
|
2 seconds
|
|
22
|
Establishing shot and pan
of field/woods
|
Music Cue
|
3 seconds
|
|
23
|
Reverse zoom from stream-
to surrounding area of stream
|
Music Cue
|
4 seconds
|
|
24
|
Master shot of girl
hiding/scurrying behind tree
|
Music Cue
Ambient sound- wind blowing
trees
|
4 seconds
|
|
25
|
Extreme close up on the
girls eyes- integrated with teddy’s eye
|
Music Cue
|
2 seconds
|
|
26
|
Close up of teddy drowning
in the stream
|
Music Cue
|
2 seconds
|
|
27
|
High angle of girl moving
towards water
|
Music Cue
|
3 seconds
|
|
28
|
Close up of stone hitting
the water and making a ripple
|
Music Cue
|
2 seconds
|
|
29
|
Close up of pendant on
stone
|
Music Cue
|
2 seconds
|
|
30
|
Low angle of leaves blowing
in the wind
|
Music Cue
|
2 seconds
|
|
31
|
Close up of stick being
sharpened by a stone to be used as a weapon
|
Music Cue
|
2 seconds
|
|
32
|
Mid shot of girl in tree
about to throw a weapon
|
Music Cue
|
3 seconds
|
|
33
|
Close up of blood and
leaves floating in river
|
Music Cue
|
2 seconds
|
|
34
|
Extreme close up of blood
at the end of the tip of weapon
|
Music Cue
|
2 seconds
|
|
35
|
Long take zooming out from
a close up of the girls face into an establishing/Ariel shot of the stream and
its surroundings
|
Music Cue
|
6 seconds
|
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